Observations and conclusions

Grandma

My grandma is in hospital today. News today that grandparents are important in a person's development. Well, as my grandmother used to discourage me from saying, er der.

 

Here are some things I learned my from my grandma:

 

1. How to write an essay (she wrote it down on a piece of A4 paper. It's never lost a customer).

 

2. How to hang washing on the line.

 

3. Banana on toast is nice with cinnamon.

 

4. Teachers are people too (and sometimes grandmas).

 

5. Nullus bastardo carborundum allegedly means don't let the bastards get you down. Whether true or not I think it's an excellent thing to learn from a grandparent.

 

6. How to take up the hem of one's pants (sadly, a lesson I have subsequently forgotten).

 

7. Being an octogenerian vegetarian is way cool.

 

8. Quiet people are quite often noticing things. Lots of things. A lot.

 

9. How to work hard and enjoy, thoroughly, cups of tea as a just reward.

 

10. How to make somebody feel better by giving them a nickname and make someone from Telstra who should have been here nine hours ago feel terrible simply by mentioning your disappointment and offering them a cup of tea.

 

 

I'd say those lessons are fairly important lessons. Bring on the grandparents and get well soon Jean.

 

Why?

Why, when you're about to take time off work for three and half weeks to write and think and plan and produce...

 

Why, when you're about to take four days to drive up to Nowra from Melbourne...

 

Why, when the film festival is in its final week and you've just spent seventy extra bucks on tickets...

 

Why, four days before your birthday...

 

Why, when you've been working full time and you could have been sick AT ANY POINT DURING THAT TIME...

 

Does your head decide to infest itself with throaty, snotty I-need-to-lie-down-and-be-useless-now style illness?

 

Why?

 

PS Yes I am aware there are wars and famines and that I have a cold and a job and a writers residency and that I should pipe down and stop being such a drama queen but shoosh please. This is clearly some kind of law of nature and it is my job as a writer to report it. 

 

PPS. I saw a really good film last night at MIFF. Boy A. Apart from a few mental Japanese films (huzzah!) it's been mostly doccos that have piqued my interest, but I can't get Boy A out of my head. Look out for a release.

Context is everything

Place someone in front of a coffee machine and give them an amusing or inexplicable T shirt and they instantly become cool and borderline attractive.

 

True or false?

 

Am currently taking a survey.

2:1 in the office this afternoon in favour of cute and cool. Someone from our coffee place was seen out of context and appeared, devastatingly, to be normal, borderline unattractive.

 

Am thinking of other contexts in which this is the case. Certain bars? Bookshops? Some may say behind microphones and under lights but I have significant experience to indicate this is a delusion and should be ignored with every fibre in one's body. Maybe that's the case with bars too. And cafes. Or just maybe... it's the case with cool.

 

Profound. I just had a coffee.

Platypus

On the side of my bottle of carbonated water, a description of the springs from which the water is sourced:

 

"Often under snow in winter, the area is surrounded by huge granite boulders unique in the Australian bush. It is a haven for wildlife including the native platypus."

 

A platypus, this is what they are telling me, weed in my drink.

 

 

 

The Things You See

Seen a couple of days ago in the middle of the traffic in Rathdowne Street, contemporary Melbourne, trotting past the park: two horses dragging a carriage.

 

Bloke sitting in carriage.

 

Bloke using a personal organiser.

 

Head down, scribbling with a stylus. Not once looking out the window of ye olde carriage at ye worlde.

 

I'm thinking of hiring a carriage and getting in it with my laptop. Just to make people wonder.

Metaphorical Beanies

Today, I was going to the Law Talking Job and I decided I needed to look slightly respectable but I was going out to dinner after work with my friend Annabelle and, what with the weather over the last few days, I might become completely freezing.

 

I don't know if that 80% of heat through the head thing is true but I decided the only thing for it was to take a beanie to work in my handbag.

 

My friend Annabelle is an emaculate dresser and utterly, disgustingly gorgeous, and so ramming a beanie down over my head that completely clashed with my work clothes would not be good.

 

So what did I do? I built my outfit around my beanie. My beanie is a lovely deep brown. I wore a brown pashmina, a brown jacket, a maroon top and black legs.

 

I just looked in my bag. I forgot my beanie.

 

It's at home on the bench.

 

I built my outfit around my beanie and I left my beanie at home.

 

This is, and I'm not sure how, a metaphor. For something. About me being hopeless, surely. Or, you know, left out in the cold due to my own incompetance and despite careful planning.

 

My beanie is a metaphor. A brown, benched, lonely metaphor, sitting at home wishing it was hanging with its friends Mister Pashmina and Mrs Brown-Coat. I don't know where that leaves me but needless to say: eighty percent colder.

 

Have a nice weekend!

Running, Going Nowhere

When you run, which I do on a treadmill in a gym (unromantic, I know, but I am less able to fool myself that I have run twenty ks and am close to breaking world records etc) what goes through your head?

 

I know some people run in order to not think at all. That doesn't seem to happen to me. I have to think. I have to think or I stop running. Lately, I have realised that not only do I have to think but I have to have a soundtrack.

 

I don't really care what my soundtrack is, although it's probably best that it's fast-paced, somewhat melodic and, most importantly, heroic. This is because, when I run, I am in fact winning something. I am winning a race of some kind, or perhaps I am just impressing a local selector with my innate natural athletic ability (a selector in what, you may ask. A selector in short-distance treadmill gym-running? A selector in international frisbee championships SUBSECTION: long distance? A selector in lifting 4kg weights and going all red in the face?). It matters not. I am in their sights. I am on their radar. The AIS wants me, in my scuff-bottomed tracksuit pants and free Jetstar earphones. They are desparate for a writer with a part-time job and a gym routine that peaks at twice a week (I've just bought new runners) petering out in the quieter months to what my friend Finn calls Donating To A Gym.

 

They say writers need to be obsessive. I am not obsessive all the time, though. That's the annoying thing about my obsessive behaviour. It has no consistency. I don't obsess about cleaning, or eating, or rising at a certain time of day (particularly that one). I obsess with no apparent pattern at all.

 

Not that anyone else would notice anyway. But I've figured it out: the one determining factor in charge of my obsessive bursts of activity is my imagination. If I need to clean the house, I make the decision to clean the house, decide that I am the sort of person who cleans houses (because that is important and I yield to no man in my desire for hygeine and presentation) and I then turn on the radio and clean for hours. Sometimes days. I get the toothbrush and clean the tiny unreachable bits in the laundry sink. I alphabetise the DVDs. I will not rest until I have become the kind of person who has a clean house from top to bottom and I will never again be a messy person because I have learned my lesson. I have also, most of the time, learned other things too (if you listen to News Radio while you clean, you often learn the same thing over and over again).

 

With my writing, I avoid, avoid, avoid, obsess. I will NOT stop writing once I've started unless I am ALREADY SUPPOSED TO BE WHERE I AM GOING THAT EVENING. I get resentful that someone has invited me out. I get resentful that I can't get on with my writing. How dare people not let me get on with my writing. The fact that I spent the greater part of the morning writing silly emails and buggering about online is a sore disappointment to me, because when I am obsessed with something, I cannot picture myself ever not being obsessed with that thing ever again. When I'm cleaning, I cannot imagine ever leaving a pair of shoes on the bedroom floor. When I'm obsessively writing, I can't imagine ever going outside. So much to do, so little time. Head down, focus, eat and sleep later. Like, maybe, Friday.

 

When I say these obsessive moments are driven by imagination, it's not as though I'm imagining an Olympic Writing Selector picking me out from a lineup of writers. I'm not even picturing (like with the cleaning) that this will make me a better person. In fact, writing is one of the purest forms of imaginative obsessing, because it's not the act of writing into which the imagination projects creativity, it's into the writing itself.

 

So you look at a blank page, or a blank screen, and you're off.

 

Or, in the case of me, today, you think maybe the focus of your obsession might have to be the gym routine after all. Just as soon as you've downloaded a few ridiculously upbeat songs onto your iPod and put on your bouncy new runners.

Syndicate content