Both of the shows I'm directing in the Comedy Festival, Yianni's Head and Penny Tangey in Kathy Smith Goes to Maths Camp, have opened with their pre-Easter preview shows.

The Peter Cook bar was abuzz with highly strung comedians on the first night of the festival. Each of them had a story about something that went wrong. Projectors changed their minds half way through shows, CD players didn't work, audiences wandered into venues far too early to discover the punchline standing on stage, half dressed in a chicken costume and swearing at the front of house staff.

Yianni and Penny were not without drama. Yianni's show suddenly had to have a new ending, due to the fact that the slides he was supposed to respond to did not appear on the slide screen. Thankfully, this proved to be much more amusing than the original ending. We've now changed the show accordingly.

Penny's show went well, apart from the fact that about eighty percent of her audience accidentally lined up in Will Anderson's queue and didn't show up to Penny's until about a third of the way through. Distracting for Penny? Yes. Disconcerting for the audience? Hell yeah. Mind you, it's funny to think that some of Penny's crowd might have actually made it through to be seated in Will Anderson's audience and left an hour later, rather baffled as to where exactly the maths references were.

As I said to everyone I spoke to, hey, it could have been so much worse.

Here are some edited highlights from my experience in live entertainment:

1. Primary school production, Sleeping Beauty
I was in grade five, playing a character with a cockney accent (which I retrospectively realise must have been because one of the teachers realised I had watched a lot of Dickens movies). Anyway, the fairies in the Sleeping Beauty were played by boys (a joke in itself of course, enjoyed no more by anyone else than by the boys themselves). They were each given stockings, a leotard, and a wand made out of cardboard.

Every woman knows that negotiating a leotard - particularly with the stockings underneath - is quite a complex little game when one is young and one really needs to go to the toilet. I don't want to drag this out unnecessarily. Suffice to say that one of the boy fairies performed a miserable little dance on opening night with poo all over his tights and dropping off him onto the stage.

2. Primary School Production, The Wizard of Oz
I played a munchkin, whose job it was to describe in an over-dramatic and long-winded way, the circumstances wherein the house had fallen on the wicked witch. (I now realise of course that partly this was a joke in itself. As the show wore on, the descriptions became more ridiculous and verbose. Everybody knows typecasting is funny).
My other job was to accidentally knock the hat off the Mayor, played by a boy called Lucas. Lucas was the tallest boy in the world. One night, he actually had to bob down so that I could knock his hat off, because my previous eight attempts had really dragged the whole show to a standstill.

3. Secondary school production, Three Sisters.
I was playing Irina in Three Sisters and Rory was playing the doctor. Rory somehow made me senseless with giggles. Three Sisters is a play by a Russian dramatist called Chekhov. It's not cool to become hysterical with snorty giggles in a Chekhov play. Well, the director didn't think so anyway.

4. The Really Useless Theatre Company, The Max Factor.
In the middle of The Max Factor, the lights went out. I was sitting next to Lawrence Leung, in the audience, and he still has little crescent moons on his arm from when I reached over and grabbed him in order to prevent myself from screaming and running from the theatre. After what seemed like several hours, the lights came up but they were tinged with a violent red. The play suddenly had all these evil undertones. As did I.

5. Standing There Productions, People Watching.
People shouldn't go out and party the night before a show. That is all I am prepared to say on this point.

6. Tough Love, Triple M. When you're in charge of reading out the best of the year's emails sent in by listeners to a national audience and you realise - on air - that what you've brought upstairs is not the listener emails but the article you printed out about a chip that's being sold on ebay because it looks like Mary Magdalene, you have to make sure you remember to breathe.

I've just realised this list could go on forever. Why anyone would work in a nine to five job is beyond me. Imagine the glamour of stuttering your way through some made up emails on radio, or slipping on your own poo in a fairy costume on stage. What a fabulous career choice.